Black Mass (2015) Film Review by Gareth Rhodes


Black Mass (2015) Directed by Scott Cooper. With Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Kevin Bacon, David Harbour, Jesse Plemons, Corey Stoll and Dakota Johnson. 

Is it possible to make a gritty 70’s/80’s gangster picture without feeling the overriding influence of Martin Scorsese? If so, the Boston-set Black Mass doesn’t achieve it. But then, is that such a bad thing!? As cinematic influences go, you can’t aim much higher. Directed by Scott Cooper, this true story of Irish mob kingpin, Jimmy “Whitey” Bulger, is home to a compelling central performance by Johnny Depp.

Throughout his career, Johnny Depp is known for playing larger than life roles – often ones that require a large degree of physical transformation. In some cases, his characters have outshone the actual films. As the reprehensible Jimmy Bulger, Depp is the furthest he’s been from his long-perceived sex-symbol status. With crazy contact lenses, a few dead front teeth and a receded hairline exposed by greasy, slicked back hair, he fits comfortably into the role a violent psychopath fed by ego and power.

The title ‘Black Mass’ refers to an inversion of the religious practice of the Roman Catholic church, in which the devil is worshipped. It is a good fit to describe the contradiction of the God-conscious gangster, who excuses himself as a homicidal maniac by adoring his mother and attending church. Like so many, Jimmy Bulger fits this bill. He is a man of wily inconsistency, bending his own code of loyalty to suit. Depp’s performance fully captures the foul stench of a rotten soul, a destructive force in the life of anyone unlucky, desperate or stupid enough to associate with him.

Based on literary source and adapted for the screen by co-writers Mark Mallouk and Jez Butterworth, the film boasts a rich array of acting talent. The complicit nature of Joel Edgerton’s FBI agent, John Connolly, makes for a fascinatingly torn-between-two-worlds character. As the stakes raise, John Connolly’s childhood bond with Jimmy makes his professional and private life increasingly difficult. Edgerton is superb, playing the escalation of fear and masked denial with great disquiet.

This is one of those true stories you couldn’t make up. Perhaps that’s best explained by the fact that Jimmy Bulger’s brother (played by Benedict Cumberbatch) was the US senator for Boston. High political office and brutal criminality is an uncomfotable juxtaposition, as Cumberbatch’s William Bulger is depicted to adopt a look-the-other-way stance on his brother’s crimes. It’s another fascinating side to the story – a man on the FBI’s most wanted list enjoying direct relationships with men in powerful societal roles.

While Black Mass can’t be considered a high watermark in the long history of memorable gangster movies – under Scott Cooper’s fine direction, it still manages to be largely riveting. The ‘funny how?‘ scene from Goodfellas is replicated (though I did fall for it), and it sometimes skirts so close to Scorsese to render itself incidental by comparison. But, little of that seems to matter thanks partly to several fine performances dotted around Johnny Depp’s monstrous illustration of pending violence and threat. 4/5



About garethrhodes

Full-time lover of all things creative.
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8 Responses to Black Mass (2015) Film Review by Gareth Rhodes

  1. SpeedySailor says:

    Think this one got a little lost in the mesh of films last year, seeing as I completely forgot about it… Looks quite a good one, should probably check it out somewhen. Nice review!

  2. Jason says:

    Good review. Personally, I thought this movie was good. The story was a bit choppy (with its three different time periods) and had more exposition scenes that showing Bulger’s rise to power, but Depp was excellent as Bulger and the rest of the cast was great.

    • garethrhodes says:

      Thank you , my friend. Oddly, I hardly noticed the transitions between time periods…except the moment the year appeared on screen. Time periods are often lazily accentuated by recognisable music and incidental shots of cars and fashions…just to make sure we know where we are. I didn’t notice much of that in Black Mass, but it’s interesting that you did. I liked some of the smaller moments in the film – the one in which Depp chastises the guy for eating the peanuts out of the bowl in the bar. Also, the scene between Depp and Joel Edgerton’s wife, where he’s threatening her by feeling the glands on her neck. It’s a masterful scene.

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