Directed by Antonio Campos • Written by Craig Shilowich
With Rebecca Hall, Tracy Letts and Michael C. Hall
The true story of 1970’s TV reporter, Christine Chubbuck, Antonio Campos’s biopic chronicles her life in the days leading up to her shocking suicide, which she carried out in front of a live television audience.
There’s an interesting blend of tones and textures, as a battleground of two warring mentalities between Christine’s idealistic optimism and suffocating anxiety is played out through soundtrack choices and an affectionate eye for the period.
In the title role, Rebecca Hall’s performance is utterly fascinating in its complexity – Christine’s inner torment giving way to frantic outbursts in the competitive world of TV news, where appearances come first and weakness is disease. Indeed, it’s a stark reminder of the change in general awareness toward depression. As the story unfolds, Christine’s demeanor fluctuates with increasing regularity, revving into a cycle of fatal inconsistency. Hall is astonishingly good, capturing endless amounts nuance as her downward spiral accelerates. It’s one of those performances that has you questioning how ‘Oscar‘ never came calling.
Hall is supported by a good cast, most notably Michael C. Hall as a supportive colleague and Tracy Letts as the frustrated station chief desperately scouting for the next big story as the Watergate scandal subliminally unfolds in the background. There’s a good sense of irony to that aspect of the narrative, which lends a duality to the layers on which the film operates. In no small sense, as much as Christine is about the tragedy of one woman’s personal demise, it’s also a glance at the dawn of modern media reporting, and the way in which reality television emerged and gained relevance.