Kick-Ass 2 (2013) Film Review by Gareth Rhodes

Kick-Ass 2 (2013) Directed by Jeff Wadlow. With Aaron Taylor-Johnson, Chloe Grace Moretz, Christopher Mintz-Plasse and Jim Carrey.

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The first ‘Kick-Ass’ film blind-sided nearly everyone, by pulling off the neat, dual trick of being a smart and cartoonishly violent satire of the overcrowded super-hero movie genre, while in parallel, existing as a film that worked on its own terms, ending up a more fun, subversive and satisfying ride than much of the average Marvel/DC fare. Not only did it rightfully attain a cult status, as a film, it also created icons of its two central characters, Aaron Taylor-Johnson’s Kick-Ass, and to an even greater degree, Chloe Grace Moretz’s Hit Girl, a pre-teen assassin with the ability to swear just as well as she could stab.

Working from Mark Millar and John Romita Jr’s graphic novel of the same name, Kick Ass also re-enforced what an exciting writer/director team Matthew Vaughn and Jane Goldman are. For this sequel, Jeff Wadlow, a director with not much in the way of shining credentials, takes the dual responsibility of screenplay and direction, once again working on events from the comic book source, and well, it just about passes, but sans the flying colours of the perfectly balanced original.

There’s no way you could call Kick-Ass 2 a bad film. For starters, Moretz is a joy, once again, as a college-age Hit Girl, coming to terms with who she is in the world, while Taylor-Johnson’s Kick-Ass, goes in search of an underground crew of superheroes, led by Jim Carrey’s Colonel Stars and Stripes. Also returning as the films ‘big bad’ is Christopher Mintz-Plasse who puts together a team of dubiously titled counter-heroes to Kick Ass and his gang, of which, one in-particular stands out – Mother Russia (Olga Kurkulina), a sort of female Ivan Drago. A sure test for Hit Girl’s nifty fight skills. Everyone brings a little something, and for the most part, the film carries over the fun from the original film, but without the same hefty snap and verve that armed the first outing with so much momentum.

In a sense, it’d be unrealistic to expect this sequel to scale the same dizzy heights as its predecessor, yet there are times during the film when it genuinely comes close. The fight scenes occasionally thrill, while the comedy is probably a 50/50 mix of hits and misses. Ultimately, the film is up against the impossible, and that is that there is only one first time. If you loved the first one, then leave your high expectations at the door, and you might just have a better time than you expect.  3.5/5

 

 

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About garethrhodes

Full-time lover of all things creative.
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5 Responses to Kick-Ass 2 (2013) Film Review by Gareth Rhodes

  1. To me, this felt frustrating because Hit-Girl is still in high school in the film, but they’re clearly trying to establish a romance with her and Kick Ass and, quite honestly, Hit Girl is the best part of these movies so to have her journey being about NOT being Hit Girl took a lot of the fun out of the film. While the first film was extremely crass and foul there was something oddly endearing about it. This one just felt rudderless to me, but I’m glad you liked it more than I did. Good write-up, man.

    • garethrhodes says:

      Yes, I can see how you might feel that way. Like I said in my review, I think my level of expectation played a huge part in my overall reaction. I agree with you that Hit Girl is a more interesting character than Kick-Ass. I’d happily see a movie that was JUST about her. I can see that happening. Thank you for reading my review.

  2. cevans1982 says:

    We seem to be among the few that actually enjoyed Kick Ass 2 – it doesn’t quite shock or delight in the way the first film did but a worthy sequel, shame a third outing is unlikely.

    • garethrhodes says:

      Agreed. Thank you for commenting. The first one really went out of its way to be as rebellious as possible. It succeeded brilliantly. This one is a much more tame offering, but it’s still a better film than many of the critics seem to admit upon release. I suppose it’s hard to follow-up greatness.

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